- Fireline Kinship –Taylor Baptiste
- Fireline Kinship –Taylor Baptiste
- Fireline Kinship –Taylor Baptiste
- Fireline Kinship –Taylor Baptiste
Fireline Kinship
Taylor Baptiste
2 October–
13 December 2025
Curated by: Jenn Jackson
Taylor Baptiste, Fireline Kinship, 2025, Film still. Courtesy of the artist.
Fireline Kinship
Taylor Baptiste
Curated by: Jenn Jackson
Fireline Kinship by Taylor Baptiste of the Osoyoos Indian Band, and Syilx Okanagan Nation, is an exhibition that powerfully considers the deep interconnection between land, body, memory and visual language. Prompted by the urgent pressures of climate catastrophe in her home territory and the 2021 Nk’Mip Wildfire, Baptiste has cultivated a visual response that reflects on both the devastation of fire and its role as a natural force of renewal and transformation.
Drawing from Syilx storytelling, ceremony, and ways of knowing, Fireline Kinship considers how future landscapes, dreams, and teachings are intimately tied to the territory itself. The artworks in the exhibition honour the firefighters who risk their lives to protect homes, people, and the land—a courageous role of critical importance.
Fireline Kinship invites viewers to listen closely—to the land, to memory, and to the possibilities that arise from collective strength and care. It is a reflection on loss and renewal, fear and hope, and the enduring bonds that hold people together. The exhibition celebrates how resilience and solidarity come to emerge when communities face shared challenges.
Fireline Kinship marks the first solo presentation of all artworks within the exhibition, including several sculptures created by transforming firefighter equipment into regalia. These are presented alongside the premiere of a newly commissioned film work, wherein the sculptural regalia are activated through healing dance, ceremony and song upon the territory in which they were conceived.
Virtual Tour
Exhibition Booklet (536.48 KB)
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Artist Bio
Taylor Baptiste
Taylor Baptiste is an interdisciplinary artist from the Osoyoos Indian Band of the Syilx Okanagan Nation. Her practice is deeply rooted in her upbringing in Nk’Mip—a landscape of sagebrush and wild roses nestled between the mountains and Osoyoos Lake on the Osoyoos Indian Band reservation. Raised by Richard and Colleen Baptiste, her work is shaped by a strong connection to family, community, and ancestral history. Drawing from Syilx storytelling and ways of knowing, Taylor’s art reflects an ongoing relationship with the tmxʷulaxʷ (land) and tmixʷ (all living energies) of the Okanagan. Her practice is guided by a yearning to bridge ancestral knowledge with contemporary forms of expression—working to uphold, reimagine, and carry forward Syilx ways of being in today’s shifting world.
Taylor’s primary medium is sculpture, through which she blends Okanagan land-based materials and Syilx traditional practices with contemporary forms and approaches. She works with a wide range of materials, including ochre pigment, buckskin, rocks, sinew, beadwork, and found or ready-made objects. Her interdisciplinary practice also extends to digital illustration, painting, photography, film, projection, and most recently, performance. Open to exploring many mediums, Taylor approaches each project with curiosity and a commitment to the stories and places that shape her.
In 2024, Taylor earned her Bachelor of Fine Arts from Emily Carr University of Art + Design. She has since returned to her home territory, where she lives with her husband and works both as an artist and as the Cultural Coordinator at the Nk’Mip Desert Cultural Centre. These dual roles are deeply interconnected; her work at the Centre supports and extends her artistic practice through community-based research and archiving, the repatriation of cultural and ancestral belongings, and the facilitation of workshops that center Syilx knowledge, land-based teachings, and cultural continuity. This reciprocal relationship between her art and community work allows her to uphold and contribute to the living cultural knowledge while continuing to evolve as a contemporary Syilx artist.

