Ba’oya Hubuk’esi (I Love Them By the Edge) is an exhibition that explores the plurality of queer Indigenous intimacy and erotics alongside connections to family, community, and territory. The exhibition features four interrelated filmworks and a series of photographs that document multiple activations of place through co-authored performances with the artist’s collaborative partners. The performative activations expand across media—through film, photography, language and sound—to address the ways in which relations to territory and community shape Indigiqueer identity.

As a registered reconnecting two-spirit member of the Tl’azt’en Nation, Wright engages plurality on multiple fronts, exploring what it means to cultivate relationships with territories that are beyond what is known as one’s home or homeland, the feeling of familiarity within and beyond the contours of biological familial connection, and the expanding bounds of queering land-based Indigenous art.

Ba’oya Hubuk’esi (I Love Them By the Edge) is the first solo presentation of all artworks within the exhibition, including the premiere of a newly commissioned filmwork Keyoh; beneath the feet, a walking performance, photographs, and several sculptures that invite future audience activation.