Claudia Cuesta (b. 1954) is a Colombian artist, teacher and mentor based in Sechelt, BC. As a multidisciplinary sculptor, Cuesta integrates sound, film, photography, performance, and poetry into her practice. She has worked with industrial, intangible, and organic materials, such as copper, air, beeswax, velvet, light, and wood. While hand fabricating simple forms, Cuesta plays with scale, texture, and colour. Cuesta explores the interdependence between the material world and identity, mediated through her experiences of motherhood, immigration, and loss.

Cuesta graduated with an MFA from the Slade School of Fine Art, London, in 1988. Her work has since been exhibited at the Morris and Helen Belkin Art Gallery, Vancouver; the Vancouver Art Gallery; the Contemporary Art Gallery, Vancouver; the Power Plant, Toronto; the Bemis Center for Contemporary Art, Omaha; the Museum of Modern Art, Bogotá; and other venues.

Since 2003, Cuesta has worked collaboratively with urban designer and artist Bill Baker under the name art.site, specializing in the integration of art and architecture. They have undertaken public art commissions and numerous artist residencies, including a recent residency at RAMA, Torres Vedras, Portugal. Cuesta taught at Emily Carr University of Art and Design until 2008, at the Universidad Nacional, Colombia, in 1995 and at schools in England between 1989 and 1993. Her work is held in collections, including at the Vancouver Art Gallery, the Museum of Modern Art, Bogota and Bemis Center for Contemporary Art, Omaha.

https://claudiacuesta.ca/

Ellinee Rae Nelson (b. 1996) is originally from Chicago—the unceded ancestral homelands of the Council of the Three Fires: The Potawatomi, Odawa, and Ojibwe Nations—and is currently based in Vancouver on the unceded ancestral lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) Nations.

Ellinee is an MA candidate in the Critical Curatorial Studies program at the University of British Columbia. She holds a BA in Art History from Columbia College Chicago where she began her career in art handling, collections management, and arts administration. Ellinee’s curatorial practice is dedicated to queer and feminist perspectives in contemporary art, archive and collections research, and uncovering underrepresented practices. In her research, Ellinee uses disabled embodiment and access intimacy as tools to trouble the limits of engagement with contemporary art and exhibitions. Referencing her own disability and chronic illness, Ellinee is interested in autotheory as a methodological approach to develop an accessible curatorial praxis.

https://www.instagram.com/ella.raen/