Opening Celebration
One hundred more:
Opening Celebration
24 September 2026
5:00-8:00pm
Justine A. Chambers, One hundred more, 2024. Exhibition view at the Toronto Biennial of Art, 2024. Photography: Toni Hafkenscheid.
Please join us for the opening celebration of One hundred more by Justine A. Chambers on Thursday September 24, 2026.
The One hundred more exhibition and residency with dancer and visual artist Justine A. Chambers presents the west coast premiere of One hundred more (2024), a video-based installation exploring gestures of resistance. Alongside the installation, Chambers will undertake a creative research residency and develop a public outreach program series, cumulatively supporting the development of a future choreographic work embedded within Or Gallery’s surrounding community.
The project builds on the iterative nature of One hundred more, originally conceived by Chambers and Laurie Young as a live performance in 2019 and later reimagined by Chambers as a video installation for the 2024 Toronto Biennial of Art. In this choreographic work, Chambers and Young—both women of colour and mothers—centre minor gestures as modes of resistance, drawing on influences from contemporary social movements including Black Lives Matter. Their collaboration examines how subtle, embodied actions can shift dominant systems of value by engaging the body as a site of political, social, and physical meaning.
Artist Justine A. Chambers will be present.
With Support From
Participant Bios
Justine A. Chambers
Justine A. Chambers is a dance artist and educator living and working on the unceded Coast Salish territories of the xʷməθkʷəy̍əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nations in Vancouver, Canada. Her practice is a collaboration with her Black matrilineal heritage, and extends from this continuum and its entanglements with Western contemporary dance and visual arts practices. At the centre of her practice is a question often posed by her grandmother: “You feel me?” This question is both a declaration of one’s personal orientation, and an invitation to reorient and include what is held in our flesh. Chambers meets this question in her work by attending to individual and collective embodied archives, social choreographies of the everyday, and choreography/dance as otherwise ways of being in relation. Chambers’ work has been hosted at galleries, festivals and theatres nationally and internationally including EMPAC, Portland Institute of Contemporary Art, Toronto Biennial of Art, Libby Leshgold Gallery, Leonard and Bina Ellen Gallery at Concordia University, Contemporary Art Gallery (Vancouver), Sophiensaele (Berlin), National Arts Centre of Canada, Agora de la Danse, Art Museum at University of Toronto, Morris and Helen Belkin Art Gallery, Cantor Fitzgerald Gallery, Artspeak, Vancouver Art Gallery, The Western Front, The Dance Centre (Vancouver), Burrard Arts Foundation and the Hong Kong Performing Arts Festival. She holds a MFA in Interdisciplinary Art, is currently Assistant Professor in Dance at the School for Contemporary Arts at Simon Fraser University and Associate Artist to The Dance Centre. Chambers is August Tyler-Hite’s mother.
