Clare Gomez Edington’s exhibition, Don’t Let Them See You Coming, consists of a live continuous performance as well as a video surveillance component which addresses issues of voyeurism with a view to inverting the typical male/female dichotomy.

Gomez Edington also collaborated with Patrick Mahon to produce two video interviews which examined issues around the practices of artists who use their partners as subjects for their work.

Publication essay Secret Origins by Lisa Robertson in the book Patrick Mahon, Clare Gomez Edington. Publication no Longer Available.