Hadley+Maxwell
Hadley+Maxwell have been collaborating since they met in Vancouver in 1997, working in a variety of media including video, installation, and sound. Stemming from their commitment to collaboration, their work examines mediation as the threshold between the individual and the social. Their writing has appeared in publications including Fillip, Art Lies!, Public, C Magazine, Capilano Review and F.R. David. Recent solo exhibitions include The Lemonade is Weak Like Your Soul, Kunstverein Göttingen (Germany, 2009), Improperties, Smart Project Space (Amsterdam, 2010); and “who can resist a Human? who doesn’t finger lies?” YYZ (Toronto, 2010). Recent group exhibitions include Strange, the first time I’ve heard of a piano with four legs (Hey, I keep falling down!), Contemporary Art Gallery (Vancouver); Quebec City Biennial; Kurt, Seattle Art Museum; and It’s the End of the World as We Know It, La Kunsthalle Mulhouse, France, (all 2010); The Bell Show, Lüttgenmeijer, Berlin; Light in Darkness, Western Bridge, Seattle; The End of Money, upcoming, Witte de With, Rotterdam (all 2011); and Surrender, the 4th Marrakech Biennale, upcoming, 2012. Hadley+Maxwell are represented by Jessica Bradley Art + Projects, Toronto.