Patricia Reed
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July 23, 2015Inclinations #20: Infrastructures of Vulnerability
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May 5, 2015
Inclinations #19: What Do Impossible Objects Do?
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March 24, 2015
Inclinations #18: What in Feminist Public Art Today?
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December 16, 2014
Inclinations #17: Riddled Matter of Practice
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November 26, 2014
Inclinations #16: Can Artists Suspend their Conversion of Experience into Capital?
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November 10, 2014Inclinations #15: Tecologies and Machinoiserie
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October 14, 2014
Inclinations #14: Why is Money More Appealing than Art?
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July 15, 2014
Inclinations #13: Activism in Art: For the De-proletarianized Petty Bourgeoisie
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June 10, 2014
Inclinations #12: The Pigeon in the Machine
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April 6, 2014
Inclinations #11: Contention: Symbolism Against Realism
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April 15, 2014
Inclinations #10: Modes of Curatorial Practice: Between Art, Cinema and Performance
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March 11, 2014
Inclinations #9: Can Unpossessed Knowledge Fabulate Without Speculation?
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February 19, 2014
Inclinations #8: The Government of the Precarious. Insecurity, Virtuosity, Exodus
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January 14, 2014
Inclinations #7: Is the Intentional Abolition of Art Only More Art?
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December 17, 2013
Inclinations #6: Iris Dressler and Hans D. Christ : Speaking about, with, or nearby?
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August 5, 2013
Inclinations #5: Armen Avanessian and Andreas Töpfer: Drawing Speculative Poetics?
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July 17, 2013
Inclinations #4: Matteo Pasquinelli and Wietske Maas: Eating the “I” or Eating the Eye? Stanzas from the Manifesto of Urban Cannibalism
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July 2, 2013
Inclinations #3: Marina Vishmidt: Speculating with the Duck of Doubt?
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June 11, 2013
Inclinations #2: Joanna Kusiak & Joanna Warsza: Out of the Red? Post-communist Idiosyncrasies of Warsaw
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April 2, 2013
Inclinations: David Kishik: How Many Artists Does It Take to Unscrew a Philosopher? (and vice versa)

