Patricia Reed
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Inclinations #20: Infrastructures of Vulnerability
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Inclinations #19: What Do Impossible Objects Do?
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Inclinations #18: What in Feminist Public Art Today?
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Inclinations #17: Riddled Matter of Practice
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Inclinations #16: Can Artists Suspend their Conversion of Experience into Capital?
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Inclinations #15: Tecologies and Machinoiserie
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Inclinations #14: Why is Money More Appealing than Art?
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Inclinations #13: Activism in Art: For the De-proletarianized Petty Bourgeoisie
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Inclinations #12: The Pigeon in the Machine
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Inclinations #11: Contention: Symbolism Against Realism
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Inclinations #10: Modes of Curatorial Practice: Between Art, Cinema and Performance
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Inclinations #9: Can Unpossessed Knowledge Fabulate Without Speculation?
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Inclinations #8: The Government of the Precarious. Insecurity, Virtuosity, Exodus
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Inclinations #7: Is the Intentional Abolition of Art Only More Art?
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Inclinations #6: Iris Dressler and Hans D. Christ : Speaking about, with, or nearby?
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Inclinations #5: Armen Avanessian and Andreas Töpfer: Drawing Speculative Poetics?
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Inclinations #4: Matteo Pasquinelli and Wietske Maas: Eating the “I” or Eating the Eye? Stanzas from the Manifesto of Urban Cannibalism
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Inclinations #3: Marina Vishmidt: Speculating with the Duck of Doubt?
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Inclinations #2: Joanna Kusiak & Joanna Warsza: Out of the Red? Post-communist Idiosyncrasies of Warsaw
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Inclinations: David Kishik: How Many Artists Does It Take to Unscrew a Philosopher? (and vice versa)