Jonathan Middleton
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Actor Boy: Travels in Birdsong
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Flowers for Africa
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An Absolute Movement
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NIGHT FEVER: Or Gallery Dance-a-thon
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Or Gallery at SELECT Fair NYC
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It Is Almost That
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Uncertain Reflections
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The Cocktail Hour
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5 Tableaux (It Bounces Back)
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Beach Talk: Chris Gaudet on Richard Crashaw
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,000,
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Pure Numerical Formula Describes Wetness and Light
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Security Theatre
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Or Gallery at NADA New York
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Curating the Self: Joni Low The malleability of identity then and now
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Wood Land School Critical Anthology
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Wood Land School Critical Anthology Symposium
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Curating the Self: Jordan Wilson
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Curating the Self: Cathy Busby Power in the Darkness
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Clamour and Toll presents Quiet City, Quiet City Presents Clamour and Toll
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Curating the Self: Suzanne Hudson Agnes Martin: Night Sea Journey
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Donate Monthly to the Or Gallery!
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Or Gallery at NADA Miami Beach
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Pursuit, Plunder and Fleece
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EDM House Launch
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Or Gallery at 2015 Offprint Paris Art Book Fair
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The Private Life of the Rabbit
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Or Gallery at the 2015 Tokyo Art Book Fair
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Flesh and Blood
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If I wanted to sit on the sand I wouldn't have brought this log.
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#saltandwater: The Palestinian-Israeli Conflict
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Brillantine
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Or Gallery at Offprint London Art Book Fair 2015
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Vancouver Institute for Social Research: Geoffrey Winthrop-Young
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Vancouver Institute for Social Research: Christina Hendricks
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Vancouver Institute for Social Research: Harsha Walia
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Vancouver Institute for Social Research: Geoff Mann
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Vancouver Institute for Social Research: Matt Hern
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adrift
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Vancouver Institute for Social Research: Glen Coulthard
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Vancouver Institute for Social Research: Carla Nappi
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Dot Feature: Closing Party and Edition Launch
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Vancouver Institute for Social Research: Willow Verkerk
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Vancouver Institute for Social Research: Am Johal
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Pillar Huggers
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Vancouver Institute for Social Research: Robert Brain
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Beginning the Shape
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Vancouver Institute for Social Research: Nicole Shukin
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Vancouver Institute for Social Research: Amy Kazymerchyk
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New Star Books: Loitersack
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Vancouver Institute for Social Research: Jerry Zaslove
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Vancouver Institute for Social Research: Samir Gandesha
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Vancouver Institute for Social Research: Andrew Feenberg
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Vancouver Institute for Social Research: Steve Collis
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Two Films About Pressure
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The Troubled Pastoral Series: 31 soleils (Dawn Chorus)
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Edinburgh Art Festival Film Club: Vigne
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Ecstasy & the Machine Stripped Bare
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Visiting Curators Talks at the Contemporary Art Gallery
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Dust on the Lens
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Death & Objects III: Christian Pelech at Thru the Trapdoor
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Death & Objects III: Christian Pelech at Thru the Trapdoor
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How Wheeling Feels When the Ground Walks Away
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Works from Protocol of errors on.e
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We put them there, but they had other things to do
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The Wendy Critical Reader
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Inclinations #8: The Government of the Precarious. Insecurity, Virtuosity, Exodus
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LA Art Book Fair 2014
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Slogans for the Early Twenty-First Century
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Inclinations #6: Iris Dressler and Hans D. Christ : Speaking about, with, or nearby?
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Science Fiction 21 The Last Frontier
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Recent Writings by Walter Benjamin
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Pattison
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On Labour: Ginger Goodwin Way Book & Night Shift LP
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Plänterwald
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Inclinations #5: Armen Avanessian and Andreas Töpfer: Drawing Speculative Poetics?
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Inclinations #4: Matteo Pasquinelli and Wietske Maas: Eating the “I” or Eating the Eye? Stanzas from the Manifesto of Urban Cannibalism
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Dick Oulton
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Inclinations #3: Marina Vishmidt: Speculating with the Duck of Doubt?
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Inclinations #2: Joanna Kusiak & Joanna Warsza: Out of the Red? Post-communist Idiosyncrasies of Warsaw
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Death & Objects II
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Aaron Carpenter Exercises in Kinesthetic Drawing and Other Drawing
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Inclinations: David Kishik: How Many Artists Does It Take to Unscrew a Philosopher? (and vice versa)
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Along Some Sympathetic Lines
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After Finitude
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Science Fiction 20
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Clamour and Toll: Dreams
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Vancouver Institute for Social Research
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Winnipeg Babysitter at Club PuSh
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Aaron Carpenter: Exercises in Kinesthetic Drawing and Other Drawing
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Lonesome Schoolboy
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We are invisible here. The world is invisible. We are invisible. It is gorgeous here. Paradise. Welcome to Sax Island.
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2084 (a science-fiction show)
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Beothuck Building
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Science Fiction 18 The Future from Memory
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Beach Talks 3 - Mic Check: Protesting, Protesting, One, Two, Three…
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Beach Talks 2: Kristina Lee Podesva - Going Under: “John Marr & Other Sailors With Some Sea Pieces” & a Few Shanties For Good Measure
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Beach Talks 1: Steven Maye: Surfaces for Rent: Distraction, Tactility, and the Gallery
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OPEN AUDITIONS: Future Institutions by Artists
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Night Shift
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make sunshine and glory, too
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Science Fiction 16 Raised on a Diet of Broken Biscuits
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Facing the Animal
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4 and a half feet to the left, behind me
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SALA Works
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Sciences of Observation
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Studies in Decay
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ΔΤΧ (Delta Tau Chi)
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Creative Destruction
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The Unspeakable Compromise of the Portable Work: Closing Reception Closing Event
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The Unspeakable Compromise of the Portable Work
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Bronze Tinfoil Ball
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Mixed Pictures
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…Um
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Who That Happens
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Science Fiction 15
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Komma (after Dalton Trumbo's Johnny Got His Gun)
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What’s pushed out the door comes back through the window
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Or Gallery and Friends Edition Sale
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Several Circles
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When a day you know to be Wednesday, starts off sounding like Sunday, you know there is something seriously wrong somewhere
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International Chilliwack Biennial
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Hold Still Wild Youth: The GINA Show Archive
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SW1
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The Or Gallery presents Kristina Lee Podesva's Brown Globe at No Soul for Sale, Tate Modern.
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Friend or Foe
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Clamour and Toll: Church
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Clamour and Toll
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The Syndicate of Public Speakers: Eight Times an Unknown Quantity
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Editions and Cocktails
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Tolerance Time
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FUTURE SOCIAL: UBC Social Housing Design Ideas Competition
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Death & Objects
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Ruins in Process: Vancouver Art in the Sixties
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Science Fiction 01
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Don't Stop 'til You Get Enough: DANCE-A-THON FUNDRAISER
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The Wild So Close
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Vancouver Anthology, Second Edition Pre-Launch and Design Exhibit
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Of vagrant dwellers in the houseless woods
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Danger in Paradise
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shrink-wrapped
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CPPS Rodney Graham Edition Launch
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Making Real
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In the diagram below, line AB and line GH intersect at point D
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Loose Work
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Ear to Ear: A Music Archive
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Ear to Ear: A Music Archive
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decentre:concerning artist-run culture
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Hold On
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This Particular Day of June
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dia-bollein and sym-bollien abracadabra
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Hadley and Maxwell Or Gallery Editions 1+2
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Work Dignifies
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Travels and Escapes
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Why I'm So Unhappy